Presentation Artworks:

Hieronymus Bosch, Visions of the Hereafter, c.1489.

Hieronymus Bosch, The Garden of Earthly Delights, c.1480-1490. 

Hieronymus Bosch, The Field Has Eyes, The Forest Has Ears, c.1500. 

Hieronymus Bosch, The Last Judgment, c.1504-1508. 

Hieronymus Bosch, The Hell and the Flood, 1508-1516. 

Titian, Venus Rising from the Sea, c. 1520.  

Titian, Venus of Urbino, c. 1538. 

Hans Holbein the Younger, The Ambassadors (Jean de Dinteville and Georges de Selve), c.1533.

Hans Holbein the Younger, Margaret More, 1535-36. 

Hans Holbein the Younger, Henry VIII (Whitehall Mural), 1536-37. 

Hans Holbein the Younger, Henry VIII, c.1537.

Hans Holbein the Younger, Study for the Family Portrait of Thomas More. Pen and brush in black on top of chalk sketch, 38.9 × 52.4 cm.

Workshop of Hans Holbein the Younger, Henry VIII, inscribed 1542.

Lucas Cranach the Elder, Jerome & His Lion, c. 1515.

Lucas Cranach the Elder, Jerome & His Lion, c. 1525.

Remigius van Leemput, Copy of the Whitehall Mural, 1667. 

Rowland Lockey (after Hans Holbein the Younger), Sir Thomas More and his Family, 1592. Yorkshire: Nostell Priory

Frans Hals, Jacobus Zaffius, 1611.

Frans Hals, Man Playing a Lute, 1623-24. 

Frans Hals, The Laughing Cavalier, 1624.

Frans Hals, The Gipsy Girl, 1625-30. 

Frans Hals, Portrait of Conradus Viëtor, 1644.

Frans Hals and Peter Codde (7 Right figures), Militia Company of District XI under the Command of Captain Reynier Reael, Known as ‘The Meagre Company’, 1637.

Dante Gabriel Rossetti, Lady Lilith (Preparatory Drawing ), c. 1866. 

Dante Gabriel Rossetti, Lady Lilith, 1867. (The Metropolitan Museum of Art) 

Dante Gabriel Rossetti, Lady Lilith, 1867. (Delaware Art Museum) 

Dante Gabriel Rossetti, A Fight for a Woman, Between 1828 and 1882.

John Collier, Lady Lilith, 1889.  

Bosch: 

Gibson, Walter. “The Strawberries of Hieronymus Bosch,” Cleveland Studies in the History of Art 8 (2003), 24-33. 

Lefensky, David. “Our Covid-19 World is Like Living in a Bosch Painting.” Law.com/New York Law Journal: May 14, 2020.  https://www.law.com/newyorklawjournal/2020/05/14/our-covid-19-world-is-like-living-in-a-bosch-painting/?slreturn=20200811171124

Silver, Larry. Hieronymus Bosch. London: Abbeville, 2006. 

Tuttle, Virginia. “Lilith in Bosch’s “Garden of Earthly Delights,”” Simiolus 15.2 (1985), 119-130. 

Vandenbroeck, Paul. “Hieronymus Bosch.” Grove Art Online: 2015. https://www.oxfordartonline.com/groveart/view/10.1093/gao/9781884446054.001.0001/oao-9781884446054-e-7000010250 . 

Interactive The Garden of Earthly Delights: https://archief.ntr.nl/tuinderlusten/en.html#

Titian: 

Burke, Jill. “The European Nude, 1400-1650.” In Splendor, Myth and Vision: Nudes from the Prado, edited by Thomas J. Loughman, Kathleen M. Morris, and Lara Yeager-Crasselt, 16–49. New Haven and London: Yale University Press, 2016. 

Hope, Charles. Titian. London: National Gallery of Art, 2003. 

Goffen, Rona. “Renaissance Dreams.” Renaissance Quarterly 40.4 (1987), pp 682-705. https://www.jstor.org/stable/2862448

Vasari’s life of Titian can be found here: https://arthistoryproject.com/artists/giorgio-vasari/the-lives-of-the-artists/titian/

Hans Holbein the Younger: 

Foister, Susan. Holbein and England. New Haven: Yale University Press, 2005. 

Foister, Susan.: Holbein in England. London: Tate, 2006. (The exhibition guide is available here.)

Goldring, Elizabeth. “Art Collecting and Patronage in Shakespeare’s England,” in The Oxford Handbook of the Age of Shakespeare, ed. Malcom Smuts. Oxford: Oxford University Press, 2016. 

Westwell, Chantry, “Jerome and the lion,” British Library Medieval Manuscripts Blog. https://blogs.bl.uk/digitisedmanuscripts/2019/07/st-jerome-and-the-lion.html. 

Smith, David. “Portrait and Counter-Portrait in Holbein’s “The Family of Sir Thomas More,” The Art Bulletin 87.3 (2005), 484-506. 

“Hans Holbein the Younger.” Heilbrunn Timeline of Art History. https://www.metmuseum.org/toah/artist/hans-holbein-the-younger/

Frans Hals: 

Liedtke, Walter. Frans Hals: Style and Substance. New Haven: Yale University Press for the Metropolitan Museum of Art, 2011. https://www.google.com/books/edition/Frans_Hals/eSz5tUIQcHsC?hl=en&gbpv=1

Pre-Raphaelites: 

Allen, Virginia. ‘”One Strangling Golden Hair”: Dante Gabriel Rossetti’s Lady Lilith.’ The Art Bulletin 66.2 (1984), 285-294.

Bullen, JB. ‘Dante Gabriel Rossetti and the Mirror of Masculine Desire.’ Nineteenth Century Contexts 21:3 (1999), 329-352.

Collier, John. A Primer of Art. London: Macmillan and Co, 1882. https://archive.org/details/aprimerart00collgoog

Cooper, Suzanne Fagence. Pre-Raphaelite Art in the Victoria & Albert Museum. London: V&A Publications, 2003. 

Fredeman, William, ed. The Correspondence of Dante Gabriel Rossetti. 6 vols. DS Brewer.

Harrison et al, eds. The Pre-Raphaelites and Italy. Oxford: Ashmolean Museum, 2010.

Holmes, John. Pre-Raphaelites and Science. New Haven: Yale UP, 2017.

Surtees, Virginia. The Paintings & Drawings of Dante Gabriel Rossetti (1828-1882): A Catalogue Raisonné. Oxford: Clarendon Press, 1971.

“Lady Lilith by Dante Gabriel Rossetti.” The Metropolitan Museum of Art Bulletin 3.7 (1908), 144-145.